Release and Context
https://www.youtube.com/watch?v=j7cyiWpX_HU
https://www.youtube.com/watch?v=nxz1DuVaRr8
https://en.wikipedia.org/wiki/Evil_Woman_(Electric_Light_Orchestra_song)
“Evil Woman” was released as a single in late 1975 and featured on ELO’s fifth studio album, Face the Music. Written and produced by Jeff Lynne, the song marked a turning point for the band, becoming their first major international hit. It reached #10 on both the UK Singles Chart and the US Billboard Hot 100, cementing ELO’s reputation as a band capable of blending rock with orchestral sophistication.
The Creative Spark
Jeff Lynne famously wrote “Evil Woman” in a matter of minutes at Musicland Studios in Munich. Near the end of the album sessions, Lynne realized they lacked a strong single. He sent the band out for a football game, sat at the piano, and quickly composed the song’s catchy riff and structure. The track was recorded over several days, with orchestral parts added later in London and female backing vocals recorded in New York.
Musical Style and Innovation
The song is a slick fusion of pop rock and R&B influences, layered with ELO’s signature string arrangements. Its upbeat groove, piano-driven hook, and lush orchestration exemplify Lynne’s vision of combining classical elements with modern rock. Critics praised its “commercial qualities” and noted its inventive use of hooks and orchestral textures, which helped ELO stand out in the mid-1970s rock scene.
Lyrics and Themes
Lyrically, “Evil Woman” tells the story of betrayal and heartbreak, portraying a manipulative lover who leaves the narrator disillusioned. Lines like “There’s a hole in my head where the rain comes in” nod to The Beatles’ “Fixing a Hole,” reflecting Lynne’s admiration for the Fab Four. The repeated chorus—simply the title phrase—becomes a cathartic release, underscoring the bitterness and irony of the situation.
Chart Performance and Legacy
Upon release, “Evil Woman” climbed rapidly on the charts, peaking at #10 in the UK and US, and also performing strongly in Europe. It was ELO’s first global hit and paved the way for later classics like “Livin’ Thing” and “Mr. Blue Sky.” Today, it remains a staple of classic rock radio and a highlight of ELO’s live performances, having been played hundreds of times over the decades. The song’s enduring popularity even led to modern samples, such as its use in the Pussycat Dolls’ 2005 hit “Beep”.
Cultural Impact
“Evil Woman” showcased ELO’s ability to merge genres—rock, pop, and orchestral music—at a time when progressive rock was dominant. Its success helped redefine the possibilities of mainstream rock and influenced countless artists who sought to incorporate classical elements into popular music. In retrospect, the track stands as a testament to Jeff Lynne’s songwriting genius and ELO’s innovative spirit.